Before taking his name from the great bandleader, Spike Jonze was born Adam Spiegel in 1969, and lived for the first part of his life in Potomac, MD, being raised along with his younger brother Sam by his single mom. He began working in the skateboarding industry as a filmmaker, and acquired much success, especially after co-founding Girl Skateborads with Rick Howard. He began his print career in about 1987 working as an editor, writer and photographer on Freestylin', Go, and BMX Action, all BMX/freestyle magazines, and Homeboy, which was into BMX, music, skateboarding, and a whole bunch of other stuff. In 1991, he co-founded Sassy's brother magazine Dirt (remember that magazine that came packaged with Sassy that most girls just threw out?). Lately, you can see some of his writings/photography in magazines like the Beastie Boy's Grand Royal and Juxtapoz. Aside from his directing, he has also appeared in various TV and short movies including Pig, directed by Francine McDougall, where he plays a nose picker, and in the Pond video for "Spokes" where he's a Hollywood Blvd. punker named Ricky. He has had other bit roles in Mi Vida Loca, Three Kings and The Game.
The first priority of a film festival should be getting people to watch films that they wouldn’t see otherwise. The ideal festival picks films that they like, and that need the exposure. No matter how good it is, a feature film with major stars and worldwide distribution already secured has no business being selected for a film festival. But if you’ve seen the lineup at any major film festival you know that they’re filled with well-known films made by well-known directors starring well-known actorsWhy make films?
Making a film - be it a short or a feature - is largely a labour of love, so it's always worth clarifying why you are embarking on such madness and adventure. You could be making it for:
Experience - you might want to experiment with pulling a team together to make a story on film.
A showreel - you might be pursuing a career in filmmaking and want to demonstrate your skills.
Partnerships - you'd like to try working with certain people to see if you can go on to collaborate on projects in the future.
Kudos - you may have found a high profile director/writer/actor, who'll help you raise your filmmaking profile, or want to use your film to elevate your own industry profile.
Testing an idea out - you've always thought a certain story would work well on screen or you've got a feature film idea that you want to try out on a small scale first.
Money - you may have been asked to work on a production with a budget to pay its crew. (This is very rare as short films don't generally pay in any financial dividends.)Where is the film going to be shown?
Their reasons for making the film should also relate to where the film is going to be shown. They could be making it for:
Your front room - many filmmakers start out by testing their ideas on family and friends.
A showreel - maybe you're building a body of work to prove to others that you have filmmaking skills and/or to persuade them to give you some funding to make another film.
The Internet - a great means of getting your work out there and getting feedback from a wide range of people, internationally.
Television - if your film is of a high quality, a television channel may screen it, especially if it fits into a slot with other short films.
The cinema - one of the hardest places to get a short film screened, but some very successful shorts have been shown before feature films on general release. Some cinemas also run short film events.
Festivals - a great opportunity to get your film on the big screen, watched by an audience of industry people and by filmmaking peers.
The answers to 'why' and 'where' determine the standard you need to work to - there is a minimum standard of technical quality required for broadcast on television and a very different quality for transfer from tape to film.
Why you are making a short film, and where you want it to go, will determine what you shoot on, which equipment you use, budgets, crew numbers and potential markets. You and your team's objectives set the parameters of what you are going to create. Be clear about these objectives and then crack on with the project.
There are small pots of money available to help create short films - especially those on digital formats. The industry is also full of people who are willing to do work at reduced rates because they like an idea, they like someone involved with the project or they simply remember what it was like to start out in filmmaking. They might also help because they think it would be good experience for their staff or their showreel.
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